Listening to Braindrops is a jarring and exhilarating experience, full of pulsating grooves, black humor, dissonant experimentation, and unsettling dystopian plot-lines. Braindrops is an unrelenting work, from an unrelenting musical ensemble. File Under: Rock Listen Here. The resulting record sounds like a Neutral Milk Hotel from behind the iron curtain.

Gulag Orkestar is a glorious sweep of music, striking in its emotional content and stunning in its scope. Zach Condon immersed himself in Balkan folk, absorbed sounds, scales, styles, and the sonic joys of a skeletally structured, cacophonic ensemble — and moved west. Within the spectacle and intimacy of The Flying Club Cup, you can hear a love letter to the joie de vivre that defines our existence.

Listen closer, and you also hear the emergence of a singular musical talent and his experience living in Paris — unbounded by cultural borders and by where his heart travels. The results sound like they were recorded in a single session, with exciting rhythms matching the upbeat horns and contrasting the mournful strings. No direct geographical affiliation was exhumed; rather, the style that emerges belongs uniquely and distinctly to Beirut, one that has been hinted at all along.

The tracks speak of love, friendship, isolation and community, touching on universal human themes that are less fabricated stories than impressions of life at a quarter-century of age. And one need not even travel very far. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music.

The sales and accolades are well-known — multiple Gold albums, multiple Grammys, chart-topping collaborations and festival headlines. But why does it work? The answer may seem obvious On this page I take a look at a qualitative explanation for the operation of a swing suspended by a single rope or chain on each side. A swing suspended by rigid rods, such as a typical lawn swing, is a little different in its principle of operation, though exactly the same motions will work to get it going.

Energy Riding a swing is a lot like riding a pendulum. As the pendulum rises, its kinetic energy changes to potential energy; as it falls, the potential energy changes back to kinetic energy. The only way to increase the height of the swing is to increase the total energy of the pendulum. The only place we can reasonably expect to find the energy coming from is gravity. Somehow, at the ends of the arc, when you change position, you must be lifting yourself slightly, and thus increasing your potential energy at the moment when your kinetic energy is least.

But how is this done? Those body parts that are moving during the swing are moving in much simpler motions. Because there are few things to go wrong there is much more consistency with Simple Swing. The Super Swing had good distance, so during development we always checked to make sure Symple Swing had as much or more distance.

While Simple Swing's stance and grip at first glance seem to be quite similar to the Heard Swing there are some important differences.

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Facebook Twitter Email Whatsapp. Facebook Twitter Email. During his hourlong stay, other faint sounds—like wind blowing through trees and an ambulance—seemed to appear and vanish from one or both of his ears. After about 45 minutes, Abumrad began to hear distant lyrics to a song, a song that sounded as if it was coming from a neighbor's house: Ohhhhh Iiiii, I wanna be with you everywhere.

Why is that important? Well, for one thing it allows the brain to tweak the gain levels in the inner ear, Cox says. But as Polish neurophysiologist Jerzy Konorski pointed out in the late '60s, those brain-to-ear connections are also the likely cause of auditory hallucinations. These inputs essentially help our brains distinguish between thoughts and reality. Take away or greatly diminish one or more of those sense organs, Konorski reasoned, and this would "produce hallucinations physiologically and subjectively indistinguishable from perceptions.

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